Last week Georgian pianist Khatia Buniatishvili performed Musorgsky and Liszt at London’s Wigmore Hall. For many members of the audience, and some reviewers (including this one), it was a coruscating display of imaginative and risk-taking pianism, the Liszt pieces in particular performed with the kind of vertiginous virtuosity which Liszt himself may well have approved … Continue reading Should musicians respond to negative reviews? ![]()
